The game ends with the most played out style of final boss and a sequence of QTEs that are immediate deaths if you fail ( restarting a drawn out boss encounter from the beginning.) James Gunn mentioned Russ Meyer as a reference point for the type of female sexploitation figure Juliet is supposed to be. I would complain that it was a ridiculously short game, but I'm glad there wasn't more of it to play because it quickly became a chore.

The fanservice cheesecake elements are tepid and add no aesthetic value. The attempt at being edgy with the dialogue is corny and feels like a boomer wrote it. The plot and stage design is weak and uninspired. What is known is that Yasuda and Dragami Games are aiming for a more realistic style, will make some key changes to the adventure, and that several of Lollipop Chainsaw's original songs won't be included in the remake due to licensing issues.This game gets wayyyy too much of a pass. 'Suda-san looked over the game design and supervised the project as an executive producer.' Suda51's credit in the original Lollipop Chainsawĭetails on the remake are short for now, as footage of the game has yet to surface. 'As Suda-san was very busy handling development on other projects at the time, I served as director and producer, creating a joint development team consisting of staff from Grasshopper Manufacture and Kadokawa Games, overseeing development directly,' Yasuda claimed in his original announcement.

When Lollipop Chainsaw launched, its end credits listed Yasuda as the executive producer and Suda51 as the creative director. SUDA51/須田剛一 July 6, 2022Ĭuriously, Yasuda claimed that Suda51 had helped supervise the original project when it began, taking on an advisory role.

To add my two cents, like says, neither he nor I am involved in this project at all, and Grasshopper Manufacture has nothing to do with development or anything.

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